Collection Update 4.3

Yeah this is becoming a problem… I’m clearly addicted to vinyl now. It was also just my birthday so sue me. Greg, my partner in dipsomania, came along. Dropped a hundy on Metallica’s Kill ‘Em All (Elektra 1988 Pressing), Daft Punk’s Discovery, Deafheaven’s Road of Judah, and Code Orange’s Forever. My collection has grown to 42 twelve inch records. I went from saying never to just being another consumer vinyl junky. Can’t complain. These new ones will fit alongside my anthology.

Check out my updated collection here.

Music Wire #3

13403330_657050591112130_8829854254332437132_o

We’re almost through the first quarter of 2017. An hourglass expires faster than it did just a few years ago. Age makes the past fleeting. Time moved slowly, but as life advances time does too.

Memorable music has already built a narrative to remember this year by. January brought Uniform’s blistering sophomore LP Wake in Fright. I was fortunate to seem them in February at The Hideout.

Oliver Houston and Code Orange also released great records as well. Japandroids may end up owning this year when it’s all over. They had steller sold out performance at The Music Box this past Saturday.

I happened to catch Craig Finn (The Hold Steady) and his new band The Uptown Controls open that show. Great song back stories with his songs. His new solo album We All Want the Same Things drops later this month.

Looking forward, Volumes seek to dominate this summer with Different Animals starting June 9th. Real Estate, Joey Bada$$, and others will also seek to dominate their respective scenes too.

Migos has already solidified a spot on many’s end of the year lists. There’s a long way until January so who knows what the rest of the year will bring.

 

This is Real

codeorange

The recent rise of Code Orange has created a buzz around the band. Some have been surprised by their broadly growing popularity.

Forever just came about three weeks ago. It’s easily their best and most comprehensive album yet. With each album their hypothesized sound sharpens with clarity. I Am King also had underground hype a few years ago but didn’t have the same coherence.

Just start with “Forever” and “Kill the Creator” which absolute slay some VFW hall or club. The arrangements possess carnage making breakdowns and back-beat bass slaps that’ll make anyone puff their chest in the pit. There are also some of these artistic elements introduced before they start playing a bigger role in the album.

Programmed distorted bass intermissions and industrial drum loops interrupt and reconnect parts of songs. Those two tracks are dynamic alone for a single, but Forever stands strong as a whole. Each track has purpose. No song falls into a filler category.

“Real” is the first of those songs that ventures into something outside of hardcore or metal. It loads up heavy for 45 seconds and then silences into a wonderfully industrial break. They use it to progress back into viciousness.

At times it feels like three or four songs in one. It actually works here unlike most artists I hear trying to string more than one song together.

Of all the tracks “Hurt Goes On” annihilates all barriers of genre. This piece of art explores an infinite void. Its lyrics haunts you, inspires an odd toughness, and whatever kind of darkness but not evil you want to describe. It’s an industrial spoken word. The simple but harsh beat can repeat forever and never lose its quiescent intensity.

There’s still songs that are true to CO’s roots. Nothing’s heavier or more metallic than “Spy” on the record. Nothing.

Gratefully there’s a bit of Rebe Myers’ singing too. “Bleeding in the Blur” has this grimy feel to it featuring Myers through out. It’s a pretty rare treat with a song that’s more grunge than hardcore and the kind of song you wouldn’t expect from this kind of ferocious band.

“Dream2” is a black hymn and wraps up Forever in a spiraling silence. If it started destructively, the end was a mum departure. They left the village and went outside the city walls.

It’s clear they executed and transposed from their mind exactly what they wanted.