I’m sad to say since starting my new job I don’t think about music as much as last year. At least not in the same way. I had more time on my hands before. Since transitioning to my new employer I spend most of my time working and the remaining hours planning how to use the rest of my time effectively.
Listing a top 10 right now would be difficult. I could rustle up a great list of singles. Beyonce and Jay Z’s “APESHIT” will remind me of this summer forever, reveling in my life accomplishments. Drake’s Scorpion had several memorable singles, most of which came out before its release. Nas and Kanye made a banger out of “Cop Shot The Kid” despite its timely subject.
Code Orange’s singles have feed off Forever’s continued success. Incredibly clever to give fans little bites of new music while they’re having their moment. They’ll face tall expectations on their follow-up.
Hundredth did the same thing with Ultrarare, a dark new wave remix album. I could get away with playing tracks off of it at Blonde Bar (SD reference). Oso Oso’s new single fits nicely on my summer playlist. I’d kind of forgotten about them, but a good single can serve as a great reminder.
Most of the albums I held expectations for entering this year I never got to or were just disappointing. Dance Gavin Dance’s Artificial Selection didn’t grab me like Mothership. I realize they have a style, constant throughout their discography, but this one didn’t stand part enough. Perhaps with time it’ll catch my fancy.
Parkway Drive’s Reverence alienates me further from the band. They still look incredibly energetic live and the audience still responds emphatically, but I feel nothing for their latest project. I could say the same for The Plot in You’s DISPOSE and Kurt Travis’s new band Royal Coda.
Still haven’t heard new albums from oOoOO, Turnstile, or Turbonegro, yet. Frankly I haven’t been in the mood to listen to those records.
I’m more excited for what’s to come this fall. Uniform’s third LP The Long Walk drops August 17th. “The Walk” smashes atoms like nuclear fission. Wake in Fright made my top ten last year and I expect similar quality this year. There’s more material for them to attack with everything that’s gone on in America. Gun violence is soooo last year.
In September, Fit for a King and Revocation embark on headlining tours to support their new albums.
Two years ago Deathgrip nearly topped my annual list. “The Price of Agony” and “Tower of Pain” singles offer both blackening brutality and uncompromising radio metal. These are the best elements FFAK offer: savage pit inspiring breakdowns and moments of festival level callbacks. I’m looking forward to working out when Dark Skies comes out September 14th.
In back to back years Revocation had two of the best albums of those years. David Davidson’s reputation as a generational guitarist keeps building with each release. For me, he’s emerging into James Hetfield/Dimebag level kick ass riffs.
I didn’t enjoy their last outing as much but my intuition says The Outer Ones contends for a spot on my list this year, which drops on September 27th.
Perhaps the release I’m anticipating most is Fiends’ debut album Me Time. I reached out to the band but there’s no set date yet. They’re probably waiting for their unannounced label. Check out their singles “Keep Me in The Dark” and “700 Club” on YouTube.
Metalsucks perfectly described Fiends as a Lamb of God and Tool hybrid. Bassist/singer James Hyde sings a bit like Maynard James Keenan and screamer Garrett Moore reminisces of Randy Blythe; however, in bridges and outros the band stylistically shifts to Rise Records post-hardcore. Those singles have a great mix of “pop” heavy music and universally accepted metal.
As I acclimate to my new job my mood should shift back into exploring new albums. I look forward to the rest of this year and hope you’ll enjoy some of these releases.
Disaesthetic 